Sequentia

Ensemble for Medieval Music. Benjamin Bagby, Director

English | Français
Sequentia celebrates its 40th anniversary in March 2017
 
 

Contact

E-mail: info@sequentia.org

Representation
(Europe)

Katja Zimmermann
VCzimmermann@gmx.net

Representation
(exclusive of Europe)

Seth Cooper
Seth Cooper Arts Inc.
4592 Hampton Ave.
Montréal, QC, Canada
www.sethcooperarts.com
sethcooper.arts@gmail.com
Tel: 514-467-5052

In association for
Season 2016-2017 with:

Jon Aaron
Aaron Concert Artists 
220 West 148th St. 4J
New York City 10039, NY / USA
Tel: 212-665-0313
jon@aaronconcert.com

 

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Programs

Frankish Phantoms
Echoes from the Carolingian Palaces (8th-10th centuries)

Benjamin Bagby voice, harp
Wolodymyr Smishkewych voice
Norbert Rodenkirchen flutes, cithara, harp

In his new Sequentia programme, Benjamin Bagby explores the musical world of the Carolingian clan – and especially Charlemagne, who became emperor in 800 –, those warlike and pious Frankish kings whose realm, in the 8th century, stretched across what is now most of Western Europe. Much is known about Christian liturgical chant under the Franks, but Bagby, using all of the available manuscript sources and reconstructing lost melodies with the collaboration of musicologist Sam Barrett (Cambridge University) and others, will bring back to life all manner of lost musical works from a golden age of European song, when scholars and poets from England, Spain, Francia and Germanic lands flourished under these enigmatic and powerful rulers.

This programme has a strong link to the common heritage of France, Belgium and Germany and stretches its focus from the regions of the Seine, Meuse and Rhine rivers to the newly-constructed royal palace at Aix-la-Chapelle (Aachen).

Songs and canticles will be performed in the three major languages spoken at court (Latin, Germanic, and Romance), including reconstructions of such famous texts as ‘La Cantilène de sainte Eulalie’ (the oldest extant text in the French language); the Old High German battle-song, the ‘Hildebrandslied’; the Latin lament for the death of Charlemagne (d. 814); and songs by international court poets working for the Frankish king, such as the Englishman Alcuin. These, often with instrumental accompaniment, and instrumental music (harps, cithara and flutes), will be woven into a tapestry of ancient echoes, allowing these magnificent songs from Charlemagne’s empire to be heard again in our time.

Bagby’s colleagues Rodenkirchen and Smishkewych are veterans and long-time collaborators with Sequentia. Instrumentalist Norbert Rodenkirchen has been an integral part of the ‘Lost Songs Project’ for almost 15 years, and has made important contributions to the programmes and CDs ‘Lost Songs of a Rhineland Harper’, the ‘Rheingold Curse’ and, most recently, ‘Fragments for the End of Time’. Vocalist Wolodymyr Smishkewych has appeared since 2000 with the Sequentia ensemble of men’s voices, most especially in the programmes ‘Pilgrims to the Apocalypse’, ‘Chant Wars’ and ‘Voices from the Island Sanctuary’.

Especially for this programme, Norbert Rodenkirchen commissioned the reconstruction of a 10th century cithara (citole) made by French luthier Olivier Feraud.

Upcoming Concerts

9 June 2017
Essen-Werden (DE), St. Lucius Kirche
Beowulf

25 August 2017
Basel (CH), Festtage Alte Musik
Endzeitfragmente

See full concert schedule

 

News

Benjamin Bagby's recent activities as teacher/lecturer, linked to his performances

At the invitation of the music department, Benjamin taught a performance workshop on the music of Hildegard von Bingen for students at Princeton University (29 March), where he also performed 'Beowulf' in a collaborative production with digital light designer Craig Winslow. Following this, at the invitation of the medieval studies program and the English department, he gave a lecture on his work with reconstructing the 'Beowulf' performance, at Yale University (3 April).

At the Université Paris – Sorbonne, where Benjamin is on the faculty, the yearly 'Entretiens de la musique ancienne' were held this year in honor of his life-long work with reconstructing 'lost songs'. The main event was his performance of 'Beowulf' (11 May), with French video titles, in the Amphithéâtre Richelieu of the Sorbonne, followed by two days of symposium at the university's Centre Clignancourt, sponsored by the historical music organization IREMUS and the musicology department of the university. During this symposium, Benjamin gave a lecture on his work with reconstructed harps and the kinds of clues they can provide ('Beowulf ': dans l'atelier d'un conteur d'histoires).

 

2017 Barbara Thornton Memorial Scholarship awarded by Early Music America to string-player Allison Monroe

This scholarship is given by EMA to “an outstanding and highly-motivated (and possibly unconventional) young performer of medieval music who seeks to widen his/her experience through more advanced study and/or auditions in Europe.”  The recipient is chosen by a jury of musicians who knew or worked with the great medieval music specialist and teacher, Barbara Thornton (1950-1998), who co-founded Sequentia together with Benjamin Bagby in 1977. Read more about Allison here.

More news