Sequentia

Ensemble for Medieval Music. Benjamin Bagby, Director

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Sequentia celebrates its 40th anniversary in March 2017
 
 

Contact

E-mail: info@sequentia.org

Representation
(Europe)

Katja Zimmermann
VCzimmermann@gmx.net

Representation
(exclusive of Europe)

Seth Cooper
Seth Cooper Arts Inc.
4592 Hampton Ave.
Montréal, QC, Canada
www.sethcooperarts.com
sethcooper.arts@gmail.com
Tel: 514-467-5052

In association for
Season 2016-2017 with:

Jon Aaron
Aaron Concert Artists 
220 West 148th St. 4J
New York City 10039, NY / USA
Tel: 212-665-0313
jon@aaronconcert.com

 

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Soloists' Biographies

Christine Mothes

Christine Mothes studied recorder at the University of Music & Theatre „Felix Mendelssohn Bartholdy“ Leipzig under Robert Ehrlich as well as at the Catalonia College of Music under Pedro Memelsdorff (Recorder) and Marta Almanjano (Singing). This was followed by further studies in singing under Gundula Anders and Marek Rzepka at the University of Music & Theatre „Felix Mendelssohn Bartholdy“ Leipzig, focusing on Early Music/Historical Performance Practice. Numerous masterclasses and courses of advanced study under Pedro Memelsdorff, Maurice van Lieshout, Rebecca Stewart, Benjamin Bagby, Gill Feldmann, Kees Boeke, Marc Lewon and Uri Smilansky supplemented her training. In 2009 Christine was awarded the Förderpreis Alte Musik presented by the Saarländischer Rundfunk and the Fritz Neuman Academy. She performes at numerous music festivals both in her native Germany and abroad such as Telemannisches Collegium Michalstein, Leipziger Barockorchester and Helmut Rilling (Internationale Bachakademie Stuttgart). As member of the trio La Mouvance she focuses on the performance of European music of the 12th to 15th century.

www.christinemothes.de
www.lamouvance.de

Upcoming Concerts

05 October 2017
Paris (FR), Musée de Cluny
Monks Singing Pagans

09 to 13 October 2017
Venice (IT), Fondazione Cini
Seminar Roman de Fauvel

20 April 2018
Konstanz, D
Oswald in Konstanz

See full concert schedule

 

News

Benjamin Bagby's recent activities as teacher/lecturer, linked to his performances

At the invitation of the music department, Benjamin taught a performance workshop on the music of Hildegard von Bingen for students at Princeton University (29 March), where he also performed 'Beowulf' in a collaborative production with digital light designer Craig Winslow. Following this, at the invitation of the medieval studies program and the English department, he gave a lecture on his work with reconstructing the 'Beowulf' performance, at Yale University (3 April).

At the Université Paris – Sorbonne, where Benjamin is on the faculty, the yearly 'Entretiens de la musique ancienne' were held this year in honor of his life-long work with reconstructing 'lost songs'. The main event was his performance of 'Beowulf' (11 May), with French video titles, in the Amphithéâtre Richelieu of the Sorbonne, followed by two days of symposium at the university's Centre Clignancourt, sponsored by the historical music organization IREMUS and the musicology department of the university. During this symposium, Benjamin gave a lecture on his work with reconstructed harps and the kinds of clues they can provide ('Beowulf ': dans l'atelier d'un conteur d'histoires).

 

2017 Barbara Thornton Memorial Scholarship awarded by Early Music America to string-player Allison Monroe

This scholarship is given by EMA to “an outstanding and highly-motivated (and possibly unconventional) young performer of medieval music who seeks to widen his/her experience through more advanced study and/or auditions in Europe.”  The recipient is chosen by a jury of musicians who knew or worked with the great medieval music specialist and teacher, Barbara Thornton (1950-1998), who co-founded Sequentia together with Benjamin Bagby in 1977. Read more about Allison here.

More news