Sequentia

Ensemble for Medieval Music. Benjamin Bagby, Director

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Sequentia celebrates its 40th anniversary in March 2017
 
 

Contact

E-mail: info@sequentia.org

Representation
(Europe)

Katja Zimmermann
VCzimmermann@gmx.net

Representation
(exclusive of Europe)

Seth Cooper
Seth Cooper Arts Inc.
4592 Hampton Ave.
Montréal, QC, Canada
www.sethcooperarts.com
sethcooper.arts@gmail.com
Tel: 514-467-5052

In association for
Season 2016-2017 with:

Jon Aaron
Aaron Concert Artists 
220 West 148th St. 4J
New York City 10039, NY / USA
Tel: 212-665-0313
jon@aaronconcert.com

 

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Soloists' Biographies

Sabine Lutzenberger

Sabine Lutzenberger absolvierte 1990 ihr Blockflöten-Konzertdiplom an der Züricher Hochschule für Musik und studierte anschließend Mittelalter- und Barockgesang an der Schola Cantorum in Basel. Impulse für ihr künstlerisches Schaffen erhielt sie durch die Zusammenarbeit mit dem „ensemble für frühe musik augsburg“ durch Pedro Memelsdorff (Mala Punica), Paul van Nevel (Huelgas Ensemble), Bernhard Lang.

Als Solistin und Ensemblesängerin und mit ihrem Ensemble PER-SONAT trat Sabine Lutzenberger auf vielen der bedeutendsten europäischen Festivals der Alten Musik auf. Ihr Repertoire umfasst den Gesang des Mittelalters bis hin zum Barock. Kontrastierend hierzu liegt ihr Schwerpunkt im Avantgarde-Gesang. So war sie als Interpretin zeitgenössischer Musik mit dem Klangforum Wien unter Leitung von Enno Poppe im Kunstfest Weimar, unter dem Chefdirigenten des SWR Sinfonieorchesters, Sylvain Cambreling im Konzerthaus Wien (zugleich auch ihr Debut) auf der Biennale in Venedig, Lissabon und Porto zu hören. Unter dem Dirigenten Peter Rundel, im Konzerthaus Casa da Musica in Porto mit Musik von Anton Webern zu hören.

Upcoming Concerts

17 March 2017
Basel (CH) Predigerkirche, Freunde Alte Musik
Monks Singing Pagans

25 March – 2 April 2017
Lafayette College, Vassar College, Princeton University, Yale University
Benjamin Bagby Beowulf tour USA

1 April 2017
New York City, Symphony Space
Book release event for ‘The Inquisitor’s Tale’

11 May 2017
Paris, Université de Paris – Sorbonne, Amphithéâtre Richelieu
Beowulf

See full concert schedule

 

News

Hildebrandslied

Benjamin Bagby has recorded the only surviving Old High German epic fragment, the Hildebrandslied (The Song of Hildebrand), for inclusion in an audiobook version of Adam Gidwitz’s new book for children and young adults, The Inquisitor’s Tale, just released by Penguin/Random House. He also recorded harp accompaniments to go with portions of the reading of the story. A release event is being schedule for New York City in early April, 2017.

 

New program given birth at Cambridge University

Following working sessions in 2014-15 with University of Cambridge musicologist Sam Barrett in the USA (Harvard University and Ohio State University) and in Cambridge (Pembroke College), Sequentia was in residence at Cambridge in April for the final rehearsals of the new program 'Monks Singing Pagans'.  An informal video of a rehearsal made by the university became a YouTube sensation, with over 500,000 views. In addition to their rehearsals and working sessions on the songs of Boethius, Sequentia gave a masterclass and the premiere performance of 'Monks Singing Pagans', immediately followed by the US premiere during a residency at Dartmouth College (USA). The week spent at Dartmouth included teaching activities in music history, performance practice, Latin poetry and manuscript studies. Sequentia returned to Cambridge in late June to prepare a special program of the Boethian songs, which was given as part of a symposium on medieval Latin song, with a special concert on 2 July in Pembroke College Chapel.

 

Teaching in Basel and Milano

Benjamin Bagby will be teaching performance courses on medieval song at two music academies this year:

Schola Cantorum Basiliensis (Basel, Switzerland): 31 October to 1 November 2016 and 13-14 March 2017

Scuola Civica di Musica Claudio Abbado (Milano, Italy): 2-3 December 2016 and 16-18 February 2017

 

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