Sequentia

Ensemble for Medieval Music. Benjamin Bagby, Director

English | Français
Sequentia celebrates its 40th anniversary in March 2017
 
 

Contact

E-mail: info@sequentia.org

Representation
(Europe)

Katja Zimmermann
VCzimmermann@gmx.net

Representation
(exclusive of Europe)

Seth Cooper
Seth Cooper Arts Inc.
4592 Hampton Ave.
Montréal, QC, Canada
www.sethcooperarts.com
sethcooper.arts@gmail.com
Tel: 514-467-5052

 

Follow us on Facebook

Programs

Fragments for the End of Time

Fortis atque amara

Frankish sequence (9th century)
Source: Paris, B.N. lat. 1084 / transcription Alejandro Planchart.

The Frankish sequences – newly-created pieces whose role in the liturgy is not always clear to us – were often creations of great beauty and imagination. Some of their melodies may have roots in earlier traditions, and the texts also display a succinct virtuosity, cleverly incorporating imagery from earlier Christian writers in new and surprising ways. This apocalyptic sequence, with its unusual melody, introduces most of the themes in our program.

Text

Full of might and bitter that day shall be, on which all things shall perish: what is seen in bodily form, the earth, and all the creatures that swim.

The gentle judge will draw near, to measure out punishment strictly, and he will judge the ages, he whom created all. The high column of heaven will begin to tremble at his nod. Oh memorable day, on which all things shall be laid open!

And what shall become of the scribe’s mark, what of the tablet, if the column of the sky shall begin to be so afraid? And what shall human beings feel, or earth’s creatures, if the hosts of the heavens shall begin to tremble so?

Oh you who as King lavish all things upon us – the eternal, the present – do not let us go into hell’s loathsome places, the dwellings of the devils – no, lead us to the angels’ realms! Amen.

Translation: Peter Dronke

Previous Next  

Upcoming Concerts

19 August 2018
Curio (TI) Switzerland / Garden of the Seven Mountains
European and Japanese Epic Song (Bagby, with Hanna Marti and Sylvain Guignard)

23 August 2018
Antwerpen, Belgium / Laus Polyphoniae Festival
Beowulf

7 December 2018
Amherst, MA / Amherst College
Monks singing pagans

14 December 2018
Gdansk, Poland / Actus Humanus Nativitas
Monks singing pagans

See full concert schedule

 

News

Benjamin Bagby's teaching activities in 2018

In addition to his teaching position at the University of Paris - Sorbonne, where he has taught since 2005 in the professional masters program, Benjamin Bagby travels widely in 2018 to teach other practical workshops for young professionals:

Milano, Scuola Civica di Musica (Milano, Italy) 29-31 January
The troubadours of the Milano manuscript R71 sup. (late 13th century)

Folkwang Universität der Künste (Essen-Werden, Germany) April-June
Benjamin will join the faculty of this renowned masters program for liturgical chant performance and medieval music, specializing this year in music from Notre Dame of Paris. The dates of his courses: 13-14 April, 18-20 May, 28-30 May and 15-17 June. More information

Schola Cantorum Basiliensis (Basel, Switzerland) 25-26 May

7th International Course on Medieval Music Performance (Besalú, Spain) .
Music relating to the idea of the Crusades, especially in the 12th and early 13th centuries.

Amherst Early Music Festival (Connecticut College, New London CT) 15-21 July
An intensive course on the Roman de Fauvel (14th century)
July 21, 2018, 1 pm "Roman de Fauvel project" (student performance)

Burg Fürsteneck, Germany (31 August to 02 September
Fortbildung zur Musik des Mittelalters / Roman de Fauvel (guest instructor)

More news