Sequentia

Ensemble for Medieval Music. Benjamin Bagby, Director

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Sequentia celebrates its 40th anniversary in March 2017
 
 

Contact

E-mail: info@sequentia.org

Representation
(Europe)

Katja Zimmermann
VCzimmermann@gmx.net

Representation
(exclusive of Europe)

Seth Cooper
Seth Cooper Arts Inc.
4592 Hampton Ave.
Montréal, QC, Canada
www.sethcooperarts.com
sethcooper.arts@gmail.com
Tel: 514-467-5052

 

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Programs

Fragments for the End of Time

Occidentana

Instrumental piece based on a Frankish sequence melody (10th c.)
Source: St. Gall / Reconstruction: N. Rodenkirchen.

No instrumental music survives in written form from the period before 1200, and yet we know that instrumental music was performed with great sophistication. We can use various resources to make reconstructions of lost traditions: in the earliest sequelae sources, we find pieces with exotic titles, attesting to their popularity, or to an association with a certain story, an instrument, or a mythological character. When religious sequence texts were added later (and the melodies were finally written down), the titles fell into disuse. The exact nature of these titles will always remain a mystery which stimulates the imagination of musicians today. The tune Occidentana is found in several sources, sometimes under the name Cithara (= harp). To honor this ancient piece, Norbert Rodenkirchen performs it here on a tiny flute made from a delicate swan’s bone. The remains of just such an instrument, dating from the 11th century, were found in a castle near the ancient city of Speyer, Germany.

Iudicii signum

‚The Prophecy of the Erythraean Sybil’ (Aquitaine, 11th century)
Source: Paris, BN lat. 1154 / Transcription: Sam Barrett

This is the prophecy of the Erythraen Sybil, a pagan female oracle said to have lived at the time of Troy, whose words are transmitted by St. Augustine (The City of God, XVIII, 23) in an acrostic poem. This medieval version, which includes a refrain, was sung in Aquitanian cloisters during the liturgy for the massacre of the Holy Innocents (28 December), a feast closely associated with apocalyptic themes.

Text

[Refrain]: Judgement shall come, and the sweat of the earth will be its signal.

Even the monarch eternal shall come from the heavens, suddenly come, in His flesh, to the dreaded tribunal. Faithful and faithless alike shall be seeing their maker uplifted with heavenly friends at the end of the ages. Souls with their bodies conjoined shall he summon to judgement. Riches will be rejected and long-cherished idols. Enormous the blaze that shall burn the broad seas and the heavens; its terrible blasts shall break open the portals of Hades. Saints in their flesh shall shine free in the light of this wildfire, the same that shall roast without ending the flesh of the wicked. Each man shall openly speak of his most secret wrongdoing, and God shall open their hearts. Gnashing of teeth shall resound and most horrible weeping. Even the sun shall not shine and the stars will be silent; the moonlight finished; the sky wrapped in darkness. The valleys will be leveled, the hilltops cast down, and all human affairs ended. The mountains will sink down into the fields and the seas. Over and done with the earth and the whole of its holdings. Springs, sources and rivers will all be boiling with fire. The horn shall sound from the highest heaven over the criminal damned as they wander sadly. The kings of the world will be judged before God. The quake-shaken earth will open to reveal the pit of hell, while rivers of hot sulphur and fire fall from the heavens.

Translation: B. Bagby (based on E.M. Sanford & W.M. Green)

Upcoming Concerts

19 August 2018
Curio (TI) Switzerland / Garden of the Seven Mountains
European and Japanese Epic Song (Bagby, with Hanna Marti and Sylvain Guignard)

23 August 2018
Antwerpen, Belgium / Laus Polyphoniae Festival
Beowulf

7 December 2018
Amherst, MA / Amherst College
Monks singing pagans

14 December 2018
Gdansk, Poland / Actus Humanus Nativitas
Monks singing pagans

See full concert schedule

 

News

Benjamin Bagby's teaching activities in 2018

In addition to his teaching position at the University of Paris - Sorbonne, where he has taught since 2005 in the professional masters program, Benjamin Bagby travels widely in 2018 to teach other practical workshops for young professionals:

Milano, Scuola Civica di Musica (Milano, Italy) 29-31 January
The troubadours of the Milano manuscript R71 sup. (late 13th century)

Folkwang Universität der Künste (Essen-Werden, Germany) April-June
Benjamin will join the faculty of this renowned masters program for liturgical chant performance and medieval music, specializing this year in music from Notre Dame of Paris. The dates of his courses: 13-14 April, 18-20 May, 28-30 May and 15-17 June. More information

Schola Cantorum Basiliensis (Basel, Switzerland) 25-26 May

7th International Course on Medieval Music Performance (Besalú, Spain) .
Music relating to the idea of the Crusades, especially in the 12th and early 13th centuries.

Amherst Early Music Festival (Connecticut College, New London CT) 15-21 July
An intensive course on the Roman de Fauvel (14th century)
July 21, 2018, 1 pm "Roman de Fauvel project" (student performance)

Burg Fürsteneck, Germany (31 August to 02 September
Fortbildung zur Musik des Mittelalters / Roman de Fauvel (guest instructor)

More news